In this sharp and unapologetic take, Anand Ranganathan responds to criticism surrounding Dhurandhar, drawing parallels with global cinema and political narratives.
He argues that success naturally invites intense scrutiny and "psychoanalysis," while critics often blur the line between fact and fiction selectively. From comparisons with films like Titanic, Gandhi, and Schindler's List to strong remarks on narratives around Kashmir Files and Kerala Files, Ranganathan questions the logic behind labeling certain stories as "fiction" based on ideological bias.