Cannot Get Over When Life Gives You Tangerines? Here's Why It Hit So Hard
In a sea of romantic leads who are either emotionally unavailable or unrealistically perfect, Gwan-sik stands out-not as a fantasy, but as the kind of man whose goodness feels attainable, because it's rooted in small, consistent acts of care.
It's been over two weeks since When Life Gives You Tangerines concluded its 16-episode run on Netflix, yet the drama refuses to leave the hearts and timelines of viewers.
Threads, reels and long-captioned posts are still flooding in - from young women dreaming of a love like Ae-sun's to older viewers seeing their own lives mirrored in Jeju's rocky shores.

What is it about this seemingly simple story that has everyone clinging to it like a cherished memory? The answer lies in its gentle storytelling, its unabashed sentimentality and most of all in Yang Gwan-sik.
Set across six decades on Jeju Island, When Life Gives You Tangerines is a slow-burning, emotionally layered story of Oh Ae-sun (played by IU and later Moon So-ri) and Yang Gwan-sik (Park Bo-gum and Park Hae-joon), childhood sweethearts whose bond endures poverty, societal pressures, personal loss and the mundane challenges of everyday life.
Recommended

But to reduce this series to a love story would be to oversimplify it. This drama is a love poem written to life itself, to the quiet grit of women like Ae-sun and to the gentle strength of men like Gwan-sik.
Yang Gwan-sik, The Greenest Flag
In a sea of romantic leads who are either emotionally unavailable or unrealistically perfect, Gwan-sik stands out-not as a fantasy, but as the kind of man whose goodness feels attainable, because it's rooted in small, consistent acts of care.
His love is not performative, it's not punctuated by grand gestures or fiery confessions. It's the kind of love that lives in the everyday: in a shared meal, in a quiet act of protection, in a gaze that never turns away.

Even as a child, Gwan-sik watched over Ae-sun. After her mother's death, she lived with her neglectful uncle, often going to bed hungry.
Gwan-sik, who helped his family sell fish, made it a habit to give her one fish every day for free. He didn't have much, but what he had, he gave her.

When Ae-sun's education was cut short and she began selling cabbages to survive, Gwan-sik set her stall up next to his and would often abandon his own sales to sell her vegetables for her.
That pattern continues through adulthood. When his family mistreated Ae-sun-refusing to let her and their daughter eat peas because they were "too expensive" for women, Gwan-sik didn't stay silent.
He moved from the men's table to sit with the women, handed over all his peas and began buying them regularly, just so his wife and daughter could enjoy a simple pleasure that was once denied to them.

In one pivotal moment, when his mother asked him to join in scolding Ae-sun, he stood his ground and said: "I'll choose my wife's side. Ask Dad to choose yours. He's the one supposed to be on your side."
These moments aren't cinematic for the sake of being dramatic, they are subtle reinforcements of Gwan-sik's unwavering character. He doesn't speak much, but he sees everything. He doesn't try to control Ae-sun - he supports her, protects her peace and holds space for her.

"If you don't like it," he tells her once, "flip the table. I'll clean the mess." That is who he is - her safe place, her freedom and her soft landing all at once.
And his love is not limited to Ae-sun. To their daughter Yang Geum-myeong, he offers the same unconditional support. "If you ever feel like quitting, I'll be right there. You can come running back to me," he says.
On her wedding day, he tells her the same - "love, but never at the cost of your dignity". It's a powerful message in a world where daughters are often taught to endure, not to walk away.

One could argue that Gwan-sik is an idealised man, but he is not perfect. He is simply consistent. Kind. Present. The bare minimum, we like to say - but in a world where even that feels rare, he becomes a green flag so bright it glows.
Love In The Little Things
Throughout the show, When Life Gives You Tangerines pays tribute to the mundane. Ae-sun, despite dreaming of being a poet and escaping her fishing town, finds poetry in the ordinary, thanks to Gwan-sik. The hairclip he gifted her as a teen became part of her identity.

After their marriage, he filled her drawers with new ones so she would never run out. Even in death, he loved her gently, dying before her, but only after repairing the entire house so she'd never have to lift a finger. He left Ae-sun a home full of functioning faucets, fixed windows and hairclips, so she would always feel his love long after he was gone.
There's a scene where Ae-sun's daughter asks if she regrets marrying Gwan-sik. Ae-sun, worn down by years of hardship, poverty and loss, says, "Yes, I would marry him again." She doesn't hesitate.

Contrast this with her daughter's own failed relationship. She falls in love with Park Yeong-bum (Lee Jun-young), a man who says he loves her, but never defends her. His silence, when his parents mistreat her or ask her to give up her dreams, is louder than words. It is a quiet betrayal.
Ae-sun's daughter Yang Geum-myeong walks away, saying, "I love you, but I also love myself." And when she falls in love again, it's with someone who reminds her of her father - kind, respectful, supportive. The message is clear: love should feel like safety, not sacrifice.
The Gendered Realities Of Everyday Life
Beyond its love story, the show is a deeply feminist text in how it portrays the quiet battles women face daily. Ae-sun doesn't just fight poverty - she fights patriarchy.
From being denied education to being patronised by in-laws, to being underestimated when she runs for village chief, her life is a series of hurdles. But the sisterhood in the village - women who cheer her on, stand beside her and form her core support system - is a heartening reminder that strength is collective.

And the men? They are not all like Gwan-sik. The drama is deliberate in showing contrasts - men who shout, control, silence or simply disappear when needed most. By doing so, it makes Gwan-sik's character even more precious.
He doesn't just love Ae-sun - he respects her, stands with her, and lets her take space in a world that constantly tries to shrink women.
A Slow Burn With Lasting Heat
At its core, When Life Gives You Tangerines is not just a K-drama, it's an experience. It reminds us of our mothers, our fathers, our childhoods and the quiet beauty of an unremarkable day. It reminds us that love isn't found in cinematic monologues but in shared meals, repaired roofs and peas on the dinner table.

Kim Won-seok's direction and Lim Sang-choon's writing don't just create a show - they craft a life. And in that life, Gwan-sik becomes a man every girl dreams of, not because he's extraordinary, but because he makes ordinary things sacred.
And maybe that's what we've all been aching for - a little tenderness in a world that rushes too much. A little peace. A little tangerine in the middle of a storm.
-
Opinion | The Little-Known Story Of How Russia Gave Sonia Gandhi Her Name - And Changed Her Family's Fate
On Sonia Gandhi's 79th birthday, author Rasheed Kidwai throws light on her childhood, her father's years as a prisoner of war, and her early days in a little town in Italy.
-
Opinion | Invoked When Needed, Ignored When Not: How A New US Doctrine Sees India
Under the latest US National Security Strategy, India could become a convenience partner, invoked when useful and ignored when inconvenient. It can't accept that role.
-
Opinion | What The IndiGo Crisis Reveals About The Fragility Of Indian Aviation
The indelible images of passengers sleeping rough on cold terminal floors, captured and broadcast across every channel, will outlast a thousand corporate advertising campaigns by IndiGo. The urgent push for reform can no longer be ignored.
-
Opinion | IndiGo Crisis Is What Happens When Market Power Becomes Market Arrogance
IndiGo now is a de-facto monopoly in India's skies. And what comes with monopolies is conceit and extortion.
-
Opinion | Navigating the Tightrope: Why Putin's Visit Is A Masterclass In India's Foreign Policy
India's engagement with Russia is not without risks. Its decision to host the summit, nonetheless, and continue its trade ties despite overt disapproval from the West, is a clear exercise of strategic autonomy.
-
Opinion | Putin In India: Why A Fuming Europe Must Accept Its Problems Aren't Of India's Making
The initiative of the three European envoys to write an article in an Indian daily maligning Putin and Russia just before the Russian president's visit served no real purpose. It was diplomatically unwarranted.
-
Opinion | The Anti-Putin 'Op-ed': Why Europe Must Stop Lecturing India Like It's 1905
Europe has had it easy for centuries. Today, two non-European powers - the US and Russia - are deciding its fate. What really stings the old continent today is this acute feeling of impotency, a sense of irrelevance.
-
Opinion | India Still Needs Something Like Sanchar Saathi - Just Not Like This
India is experiencing what authorities describe as a "peak menace" of digital fraud. The Supreme Court recently took suo motu cognisance of digital arrest scams after victims collectively lost approximately Rs 3,000 crore.
-
Opinion | Sanchar Saathi Mess: 5 Lessons From The Centre's Spectacular Misfire
It's worrying that nobody in authority had the brains to anticipate the outrage that has dominated the public discourse in the last two days. In a way, the government has brought this blowback upon itself.
-
Opinion | Guns To Rallies, How 'Drug Money' Is Fuelling Khalistani Extremism In Canada
Since 2007, more than 200 gang-related homicides in British Columbia alone have been linked to rival Punjabi-Canadian gangs fighting for control of the lucrative cross-border drug trade
-
News Updates
-
Featured
-
More Links
-
Follow Us On