Director: Ahmed Khan
Rating: 2 stars (out of 5)
In Baaghi 2, rebellion - trigger happy, brooding endlessly and snarling at everything in sight - comes in a single standard size, the one that the beefy Tiger Shroff embodies in all its skin-deep splendour. He is a glistening, muscle-bound, mayhem-unleashing mannequin that, at the slightest provocation, strikes out with telling force. Get out of his path if you care for your life and limbs!
The action thriller that draws power from the virile exploits of this protagonist is replete with eye-popping, heart-pounding, brain-numbing and inordinately drawn-out stunts and fights. These are meant to be the high points of the Ahmed Khan-directed film. But, despite a twist here and a twist there that manages to add a degree of zing to the plot, monotony sets in rather quickly and pushes the film over a pulpy precipice.
It is all very fine to mount bomb explosions, chases, airstrikes and elaborate fight sequences designed to highlight the might and precision of the righteous soldier. Granted that it is all handsomely executed. But shouldn't it have been built around a 'story' of sorts? The director obviously does not believe overly in that precept. So he lets it rip without letting the need for nuances get in the way of his style, which rests primarily on taking the plot of the 2016 Telugu actioner Kshanam and turning it into an exercise designed for Tiger doing his hyper-masculine number in the face of grave danger.
Ranveer Pratap Singh alias Ronnie, a Special Forces captain stationed in Kashmir comes in from the cold when a five-year-old girl, Rhea, daughter of the woman (Disha Patani) he once loved but could not marry, is abducted in front of her Panjim play school. The hero - yes, the very rebel for the cause of love whose dazzling martial arts moves felled an arch-villain in Baaghi a couple of years ago - penetrates the heart of the Goa underworld and takes on sundry drug dealers, Russian ruffians, uncooperative cops and menacing gangsters in a fight to the finish. The time-tested formula appears to work fine up until a point, but once the expected superhero act kicks in it is an unstoppable downhill slide.
Rest assured that the action scenes not only flow thick and fast but also, especially in the final half an hour or so, does so interminably. So, there isn't much scope for any ruminations on narrative nuances or the lack of them. There are, of course, a few intriguing questions that arise in the mind in the first half as our man Ronnie plunges deeper and deeper into the woods - a jungle literally pops up in the film's climax to give the flagging film a shove. Is the hero's ex-flame a victim of a dire conspiracy? Or is the daughter that she is looking for merely a figment of her imagination? Is his fight worth the effort? That is what Ronnie has to figure out before he can get to the bottom of the truth.
Leading lady Disha Patani is a pretty sight all right but is only required to sleepwalk through her role. That isn't surprising - Baaghi 2 is after all an out and out action film in which romance - like it did in the precursor - is a mere pretext for musical interludes. What is surprising is the cavalier manner in which the film underutilises an actor of the quality of Manoj Bajpayee.
The scariest part: Baaghi 2 is already one too many. Yet this isn't the last we will be hearing of the rebel. Ek Do Teen... the countdown has begun. Treat Jacqueline Fernandez's rejig of the 1988 Madhuri Dixit number as a travesty if you may but do not ignore the not so veiled warning it transmits: a third instalment of Baaghi is on the way. Brace yourselves.